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Cannes International Film Week
2026 Edition

Cannes International Film Week: The Digital Disruptor Cannes Didn’t See Coming, Unveils Award Winners for the 2026 Edition

When the Cannes International Film Week quietly launched in 2024 — streaming in tandem with the world’s most prestigious film festival — many in the industry dismissed it as a curious footnote. A digital echo. A minor chord in a symphony already saturated with film markets, red carpets, and yacht meetings.

 

Now, just two year later, the mood has shifted. No longer just a parallel experiment, Cannes International Film Week has returned with over 130 rigorously curated films, a clear vision, and a growing reputation among indie filmmakers and distributors alike.

 

There are no physical screenings, no standing ovations at the Palais. But there is something Cannes-adjacent doesn’t always guarantee: a deep commitment to discovery.

 

“We’re not trying to mimic Cannes,” says the festival’s director Kris De Meester. “We’re building an ecosystem that complements it — one rooted in access, curation, and equity.”

 

The Cannes International Film Week concludes on May 31, celebrating a fortnight of cinematic excellence. Over the past two weeks, the festival showcased 133 films from across the globe. 

 

Today, Cannes International Film Week is thrilled to announce the winners of the 2026 edition. From 133 extraordinary films from around the world, the jury panel has selected the following winners:

 

‘Cannes Auteur Award’©
For elevating the craft of filmmaking through visionary storytelling and artistic excellence.
The Insides of our Lives (Netherlands) by Misja Pekel

 

‘Cannes Acteur Award’©
For advancing the medium of acting by embracing simplicity, creating deeply resonant and authentic portrayals.
Ayaka Onishi in Scenario (Japan) by Kazunori Miura

 

‘Cannes Lumière Award’©
For expertly transforming light and image into a motion picture.
Daan Kretschmann for Tokyo Toy Boy (Belgium) by Esli Balatova

 

‘Cannes Avant-Garde Award’©
For favoring or introducing new and experimental ideas and methods.
Becoming (United Kingdom) by Shelley Hopkins

 

Best Narrative Feature Film

Doll (Russian Federation) by Egor Beroev

 

Best Documentary Feature Film
Prophet Town (United States) by Dan Howlett

 

Best Narrative Short Film
Franck (France) by Fabio Caldironi

 

Best Documentary Short Film

No Longer / Not Yet (France) by Jacquelyn Elder

 

Best Experimental Film

Trump Pinochet (United States) by Gerald Habarth

 

Best Underground Film
Dead, White and Blue (United States) by Mike Davis

 

Best Animated Film
El día que me quieras. El viaje de Gardel (Argentina) by Matias Mera

 

Best Music Video
Loser (Taiwan) by Mali Chen

 

Connecting Cultures Award
NŪR (Congo, The Democratic Republic of the) by Ryan Youngblood

 

Best Episodic
Hard To Swallow (United States) by Tunde Wey, Theo Schea

 

Audience Choice Award

to be announced on June 1st

For more information, to explore the full lineup, or to watch all the films (until May 31), please visit: www.cannesfilmweek.com

OFFICIAL SELECTION 2026

 

The Insides of our Lives (Netherlands) by Misja Pekel

Doll (Russian Federation) by Egor Beroev

Dead, White and Blue (United States) by Mike Davis

The Run Towards (Belarus) by Pavel Ausiyevich

Prophet Town (United States) by Dan Howlett

The Universe of Me, Brent Everett (Canada) by Francis Luta

Yalla, Baba! (Belgium, Lebanon, Netherlands, Qatar) by Angie Obeid

Bacon’s Histories: Study for a Portrait (Germany, United Kingdom) by Martha Parsey

Cosmographies (Chile) by Juan Francisco Salazar

Sila (United States) by Zaya Benazzo, Maurizio Benazzo

Zaad (Seed) (Belgium) by Dries Meddens

Me and the one I used to be (Argentina) by Maria Constanza Niscovolos

Coda (Singapore) by Jac Min

Creative Force (United States) by Alex LeMay

Nothing to See Here: Watts (United States) by Michael Soenen

Let it Dance (Australia) by Carolyn Corkindale

Where is Love? (United Kingdom) by Trojan Women Project

Forced Renewables (Spain) by Francisco Javier Fernández Bordonada

Hong Kong - Ga Yau (Germany) by marco di noia

Ahab Was Here: Reflections on Moby Dick (Bulgaria) by Todor "Tosh" Lichev

Aldo Baldin - A Life for Music (Brazil) by Yves Goulart

Franck (France) by Fabio Caldironi

NŪR (Congo, The Democratic Republic of the) by Ryan Youngblood

Scenario (Japan) by Kazunori Miura

We Who Remain (Norway) by Sindre Mangen Haram

Dead tooth (France) by Romane Eilahtan

Measurements (Italy) by Marta Capossela

Your Call (United States) by Alora Thompson

This Between Us (Belgium) by Helena Taghon

20:15 México DF (Argentina) by Alejandro Di Meglio

Pleasure Nature (Belgium) by Lewis De Cooman

Get You Better (United States) by Danica Jensen

Our Father (United States) by Jannelle Christa

Anchor (Portugal) by Helder Faria

Donkey Skin (Morocco) by Taha Aziz

Themis is Tired (France) by Ilya Demutsky

The Cost of Consideration (Adjusted for Inflation) (United States) by Tom Salvaggio

Fly (Germany) by Antonia Dipner

The Light (Hong Kong) by Angus Wong

Dragonfly (China) by Siyang Liu

Florence & Nina (Belgium) by Miel van Hoogenbemt

Sloppy Sunday (United States) by Christoff LeBlanc

On the way home (Hong Kong) by Lee Yat Fung

Sick Enough (United States) by Allegra Venturi

Release (Hungary) by Zoltan Gergely Szabo

It's Not That Deep (United States) by Aaron Razi

Sun Tea (United States) by Eliza Gill

Spring of Deception (United States) by Annika White, Carl Knight

Wanderer (United States) by Oscar Sayago

Super V (France) by Franck Janin

Pluto in Aquarius (Belgium) by Hippolyte Laveix

As they pass (France) by Patrice Masini

Tokyo Toy Boy (Belgium) by Esli Balatova

Georgie (United States) by Jennie Butler

Unscarred (Belgium) by Théo Roland

To My Grandfather by Sofia Samoylova

The Missing Post Office (France) by Clement Lefer

Manya (Portugal) by Faebitha Rahiman, Camila Amado Restrepo, Mariia Ivashchenko, Jean Jurado

No Longer / Not Yet (France) by Jacquelyn Elder

Dans un Souffle (Belgium, Hungary, Portugal) by Catarina Couto Gonçalves

The Caretakers | Care for one. Protect the whole. (United States) by Mital Patel

Darlinghurst Eats Its Young (Australia) by Madeleine Preston

The Last Island (Sweden) by Tobias Hansson

Caretaker (United States) by Verónica Rose Wood

The Mysteries of the Horizon (France) by Mathieu Sauvat

From Earth to Earth: The Lost Art of Dying in America (United States) by Maxwell Schweik, Alyssa Beebe, Chess Cabrera, Reed Freedman, Mikayla Hall

Simulating Space (United States) by Dave Croyle

Voice Notes on Death (Germany) by Romy Persaud Drennan, Harry Crampton

Situational Awareness (China) by Yuehan Wang

Traveling flower (Poland) by Alina Dzmitrovich

Because We Are Born Girls (Belgium) by Maggie Lung

A Birmingham Symphony (United Kingdom) by Jemma Saunders

Ujvala Jupalli: Asterisk Athlete (United States) by Josephine Harrison

Ad Libitum (Mexico) by Antonio Guajardo Lara

Anima (France) by Elsa Poissonnet-Boyer

Woman Rising (United States) by Matilde Simas

Body of Noise (United States) by Al Crockett

Chinatown's Last Emperor (Australia) by Tyler Kang

Buzz (United States) by Nina Ruggero

This week doesn't really exist (Germany, Poland) by Piotr Goldstein, Olga Łojewska, Maksymilian Awuah

Greetings from Summerland (United States) by Harry Rabin, Joey Szalkiewicz

Trump Pinochet (United States) by Gerald Habarth

Becoming (United Kingdom) by Shelley Hopkins

The journey (United Kingdom) by Mel Steele

Pico Sacro [The Holy Mountain] (Spain) by Alberto Lobelle

Devotion (Belgium) by Théo Naniot

The Temptation of an Ordinary Thought by Thomas Pappas

• (United States) by Derrick Schultz

Bloodlines at Sea (France) by David Munoz

Dynamics (Netherlands) by Teo Baehler

Scores for Mother & Daughter (Belgium) by Natalia Sardi

Home (Belgium) by Hanne Schillemans, Ralph Timmermans

Performance No.19190301 by Mingu Kang

Geography (Italy) by luca De Santis

They Are Killing Us... (Canada) by Maurice Cormier

Nonna's Seeds (Canada) by Patricia Marcoccia

Digits of Pi (United States) by Tom Bessoir, Joshua Pines

Beproeven (Belgium) by Karlijn Reynaerts

Tunnel of luv (United States) by Jeremy Pellington

Pretty People Picking (Canada) by Connor Kujawinski

SÔMA (Belgium) by Raphaël Vens

Gaslight (Hong Kong) by Bijou Octavia, Chloe Brooke

Roses (United States) by ANDi LAND

Bottlefeeder (United States) by Sophia Ryan Gatti

El día que me quieras. El viaje de Gardel (Argentina) by Matias Mera

Tear Tear Fruit (Hong Kong) by Paprika Chan

Monsieur Figaro (France) by Sarah Benhammou-Lionnard

Stitch (United Kingdom) by Ailsa - Ailsa Madill

Outbound (United States) by Eli Jeffery

91 Times Smash (United States) by Yuxin Yang

Love & Gold (United States) by Connor Van Dyke

Other I (France) by Alina Popescu

Retrieving Roadie (United States) by Luke Stone

Hard To Swallow (United States) by Tunde Wey, Theo Schear

The Eccedentesiast (France) by Séni Badji

Respire Fort (France) by Arthur Fanget

@love the series (Puerto Rico) by Annabelle Mullen Pacheco

26 Seconds USA Docuseries (United States) by Kelly Galindo

Ottilie Moore –  Heiress in the Resistance (United States) by Dana Plays

Loser (Taiwan) by Mali Chen

Tamara Flores - Chingona (Austria) by Rupert Höller

Going Crazy - Orange Soda (Germany) by Milena Kaltenbach

Horizon (France) by analogmirage

Ghosts in the wall (United Kingdom) by Stephen Najda

Desk Job by Rageflower (Australia) by Michaela Le

The Chase (United Kingdom) by Jeremy Owusu-Ansah Boateng

Devil in a Red Dress (United States) by Demetricus Diaz Allen, Spiro Kochovos

Goodbye / Nevesoma (United States) by Anastasia Bezhan

Freedom (United States) by Mike Bennion

Kaundamani (Norway) by Mari Ørstavik

Pretty Girls (United States) by Benjamin Folstein

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